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Music: Folk

Sharon Van Etten @ Town Hall

When

Thursday Nov 15, 2012 (7:30pm)

Where

4879_107632101387_14353726387_2695483_267028_n_show_page

The Bowery Presents (Venue Partner)

Price

$30, $25

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Sharon van Etten's ascension to indie-folk-rock goddess reached a new level when she teamed with Aaron Dessner of the National, signed to Bon Iver's label Jagjaguwar, and released Tramp, her sullen, rich, and evocative third album. Now, with the super-sized Tramp Deluxe Edition dropping on November 13th, the Brooklyn-based singer has leaked a bonus track, unveiled a Rick Alverson-directed video for "Magic Chords," and continues her touring ways. Tonight's performance, which marks her last US date of 2012, is shaping up to be a regular old hootenanny. Slated to join SVE on stage are Thurston Moore, Aaron Dessner, Jenn Wasner (Wye Oak), Peter Silberman (Antlers), and more. It should yield some exciting, Youtube-worthy musical moments.

Mindy Bond, Flavorpill

The Bowery Presents says…

The shimmering sound of Sharon Van Etten’s Jagjaguwar debut album, Tramp, both defies and illuminates the unsteadiness of a life in flux. Throughout the 14 months of scattered recording sessions, Van Etten was without a home -- crashing with friends and storing her possessions between varied locations. The only constant in Van Etten's life during this time was spent in Aaron Dessner's garage studio. A two year journey brought her to that point of instability. Upon the release of epic (Ba Da Bing; 2010), Sharon Van Etten surprised the music world with a touching embrace. Having established herself as a reliable performer around New York, and coming off the release of her spartan first effort, Because I Was In Love (Language of Stone; 2009), Van Etten created a short album of diverse songs connected by a shared goal of expanded sound and her unmistakable voice. Fans quickly picked favorites, discovered their choices changing, then changing yet again. That is the magic of epic; the intricate, understated record covered so much ground within its 33 minutes, it required more than an initial half hour to absorb. Since epic’s release, she has opened the Pitchfork Music Festival, played The Hollywood Bowl with Neko Case and at Radio City Music Hall with The Antlers, sung on new records for Beirut and Ed Askew, and collaborated with Bon Iver’s Justin Vernon and Megafaun on the Songs Of The South project. Dessner, a member of The National, heard Van Etten early on, and in collaboration with Justin Vernon, performed a cover of “Love More” at the 2010 MusicNow Festival in Cincinnati. Van Etten heard about this and contacted him. Almost immediately they formed plans to work together, with Dessner offering both a location for Van Etten to record new songs, as well as the opinions of a wise producer. Now, one year later, Van Etten unveils Tramp, an album showcasing an artist in full control of her powers. Tramp contains as much striking rock (the precise venom of “Serpents,” the overwhelming power of “Ask”), as pious, minimal beauty (the earnest solemnity of “All I Can,” the breathtaking “Kevins,” “Joke or a Lie”); it can be as emotionally combative (“Give Out”) as it can sultry (“Magic Chords”). Contributions from Matt Barrick (Walkmen), Thomas Bartlett (Doveman), Zach Condon (Beirut), Jenn Wasner (Wye Oak), Julianna Barwick, and Dessner himself add a glowing sheen to the already substantial offering Van Etten has traveled far, and if her displacement took an emotional toll, she offset those setbacks with a powerfully articulated vision. And so, once again, each listener will discover their own moments along the way, and the debates as to the best song start anew.