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Music: Jazz

Preservation Hall Jazz Band

When

Friday Mar 1, 2013 (6pm–midnight)

Where

3545095720_04c323340f_show_page

Brooklyn Bowl (Venue Partner)

61 Wythe Ave

718.963.3369

Directions: L Train 'Bedford' Stop or G Train 'Nassau' Stop

Price

$20

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Brooklyn Bowl says…

 The PRESERVATION HALL JAZZ BAND derives its name from Preservation Hall, the venerable music venue located in the heart of New Orleans’ French Quarter, founded in 1961 by Allan and Sandra Jaffe. The band has traveled worldwide spreading their mission to nurture and perpetuate the art form of New Orleans Jazz. Whether performing at Carnegie Hall or Lincoln Center, for British Royalty or the King of Thailand, this music embodies a joyful, timeless spirit. Under the auspices of current director, Ben Jaffe, the son of founders Allan and Sandra, Preservation Hall continues with a deep reverence and consciousness of its greatest attributes in the modern day as a venue, band, and record label.

 

The building that houses Preservation Hall has housed many businesses over the years including a tavern during the war of 1812, a photo studio and an art gallery. It was during the years of the art gallery that then owner, Larry Borenstein, began holding informal jam sessions for his close friends. Out of these sessions grew the concept of Preservation Hall. The intimate venue, whose weathered exterior has been untouched over its history, is a living embodiment of its original vision. To this day, Preservation Hall has no drinks, air conditioning, or other typical accoutrements strictly welcoming people of all ages interested in having one of the last pure music experiences left on the earth.

 

The PHJB began touring in 1963 and for many years there were several bands successfully touring under the name Preservation Hall. Many of the band's charter members performed with the pioneers who invented jazz in the early twentieth century including Buddy Bolden, Jelly Roll Morton, Louis Armstrong, and Bunk Johnson. Band leaders over the band's history include the brothers Willie and Percy Humphrey, husband and wife Billie and De De Pierce, famed pianist Sweet Emma Barrett, and in the modern day Wendall and John Brunious. These founding artists and dozens of others passed on the lessons of their music to a younger generation who now follow in their footsteps like the current lineup.

 

THE PRESERVATION HALL JAZZ BAND IS: 

Ben Jaffe/Creative Director & Tuba: As son of co-founders Allan and Sandra Jaffe, 

Ben has lived his whole life with the rhythm of the French Quarter pulsing through hisveins. Raised in the company of New Orleans’ greatest musicians, Ben returned from

his collegiate education at Oberlin College in Ohio to play with the group and 

assume his father’s duties as Director of Preservation Hall. Today he serves as

Creative Director for both PHJB and the Hall itself, where he has spearheaded such

programs as the New Orleans Musicians Hurricane Relief Fund.

 

Mark Braud/Trumpet and Vocals: As nephew to two former PHJB leaders, Wendell

and John Brunious, Jr., Mark is proud to further his family’s musical legacy in the

company of so many historic players. Beginning his career playing with the Olympia

Kids, a young players’ offshoot of the famous Olympia Brass Band, Mark has gone

on to record, tour, and play with New Orleans legends of both traditional jazz and 

R&B, including Eddie Bo, Henry Butler, Harry Connick Jr., and Dr. Michael White.

 

Charlie Gabriel/Clarinet and Vocals: The musical heritage of Charlie

Gabriel can be traced back as far back as the 1850s. Great-grandson of New

Orleans bass player Narcesse Gabriel, grandson of New Orleans cornet player 

Martin Joseph, and son of New Orleans drummer and clarinetist Martin Manuel

Gabriel, Charlie is truly a living legend. At seventy-six years old, the extensive list of 

musicians with whom he’s played includes well-known PHJB alumni Kid Howard, Kid 

Sheik, Jim Robinson, and George Lewis. 

 

Clint Maedgen/Saxophone and Vocals: Though Clint is best known as leader of multimedia alt.cabaret group The New Orleans Bingo! Show, he has been in love with the

sound of traditional New Orleans jazz since he was a small child. After studying with 

clarinet innovator Alvin Batiste at Southern University in Baton Rouge, Clint returned to 

New Orleans’ French Quarter where he cemented his reputation as an artist and 

collaborator through an ongoing series of eclectic and experimental musical

ensembles. As a full-time member of the PHJB, he brings an infectious passion to both 

his playing and singing. 

 

Joe Lastie, Jr./Drums: Born and raised in the Lower Ninth Ward, Joe comes from a

long line of family members equally dedicated to music and the church. Having 

played his first job with a rhythm section backing the Desire Community Choir, he

would go on to study jazz with Willie Metcalf at the Dryades Street YMCA with 

classmates Wynton and Branford Marsalis. After a brief move with his family to 

Queens, New York, Joe returned to New Orleans where he was invited to substitute

on drums at Preservation Hall in 1989. He’s been a regular with the band ever since. 

 

Freddie Lonzo/Trombone and Vocals: Born and raised in New Orleans’ Uptown 

neighborhoods, Freddie was exposed to the music of the streets at a very young age. 

Having cemented his desire to play New Orleans jazz, these early Second Line parades

would later offer him his first professional gig with EG Gabon and Doc Paulin’s Band. 

A true master of every style of New Orleans music, from marching brass to modern 

jazz, Freddie’s first appearances with Preservation Hall date back to the mid-eighties

when he toured and played with Percy Humphrey and Kid Sheik.

 

Rickie Monie/Piano: Born and raised in New Orleans’ Ninth Ward to jazz loving

church musicians, Rickie was inundated at an early age with the recordings of such 

great jazz and gospel pianists as Art Tatum, Oscar Peterson, and Teddy Wilson. 

After majoring in woodwind instruments at Dillard University, Rickie turned back to 

the piano and picked up work in every style of music. In 1982, Monie got his first

call from Preservation Hall, to substitute for the legendary resident pianist Sweet

Emma Barret after she suffered a stroke. To the delight of audiences around the

world, he’s stayed onboard ever since.